POETRY COLLECTION

Il canto dell'amore

A poetry collection created to give voice to love, dignity and human encounter, opposing every form of racism and discrimination.

Il canto dell'amore
Les Cultures • 1997

Poetry as a voice against racism

Il canto dell'amore, published by Les Cultures in 1997, was created at a particularly significant moment: the European Year against Racism and Xenophobia proclaimed by the European Parliament. Les Cultures entrusted Mohamed Ghonim’s words with contributing, through poetry, to reflection against every form of discrimination.

At the heart of the collection is a conception of love that moves beyond the individual and sentimental to become a universal language. Poetry becomes a space where personal experience meets that of others, questioning the distances created by origin, culture and social condition.

Among the most significant poems is The Dark Night, closely linked to Les Cultures’ commitment against racism and regarded as one of the association’s emblematic texts. Through powerful images and deep humanity, Ghonim brings into poetry the themes of human dignity and the need to recognize one another beyond difference.

The collection anticipates themes that recur in the author’s later poetry: memory, identity, solitude, migration and the search for genuine dialogue between cultures.

Publication

1997

Publisher

Les Cultures

Place

Lecco

Genre

Poetry collection

Language

Italian

Pages

79

Contesto

Anno europeo contro
razzismo e xenofobia

Testo simbolo

The Dark Night

CRITICAL RESPONSE

A view of the universe of love

A reading that moves through love, feeling, memory and the human quest, highlighting the human and cultural dimension of Ghonim’s poetry.

“His exploration of love’s meaning is a complete journey around humanity, observed through its noblest feelings yet also judged in its darkest instincts and acts.”

Ferrario recognizes in Ghonim’s poetry a simple voice able to move through adult desires, emotions and fears, rediscovering the longing for a childhood innocence capable of redeeming humanity’s malice and selfishness.

The reading also enters the memory of Egypt, the poet’s homeland, evoked through colors, scents and a deep sense of belonging. The female figure emerges as an image of grace and sensuality, while poetry gradually becomes a space in which to confront identity.

Even when surrender seems to prevail before a world adrift, hope returns. The verse itself summons it back, leading to the poet’s reconciliation with himself and renewed strength to continue living.

Giancarlo Ferrario

Direttore del Giornale di Lecco
EXCERPTS FROM THE WORK

Selected verses

Due pagine tratte da Il canto dell'amore, presented in their original layout to give readers an authentic glimpse inside the collection.

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